In this pair of necklaces, carré diamonds and antique Indian polki diamonds—a traditional Mughal cut with few facets that follow the rough crystal’s natural lines—are set within airy rhombohedral nests. These nests are made from white-gold nature casts of daylily (Hemerocallis) flower stalks, whose blossoms last only one day. The yellow gold of the settings continues in the caps and beads—nature casts of beechnuts—engraved with floral motifs and filled with black vitreous enamel. The asymmetrical, irregular arrangement allows the necklaces to be worn in different ways, including joined into one long chain.
Nature cast pendant of a hazelnut with a necklace composed of Archimedian solids and diamond-set universal joints.
Long necklace with a pair of pendants in the shape of flower-filled cornucopia (nature casts of paper nautilus Argonauta hians and flowers of Indian pokeweed Phytolacca acinosa) inhabited by hyacinth macaws. The macaws’ engraved plumage is covered with translucent blue enamel; the beaks and the eye pupils are enameled black. One of a kind.
Neo-Renaissance necklaces composed of different symbolic elements connected by universal joints. Each necklace joins at a tassel-shaped pendant that is composed of turned umbrellas and articulated bones with white and brown briolette-cut diamonds.
Necklace of white gold composed of darkly oxidized Archimedean solids set with brown diamonds, and diamond-studded universal joints. Pictured with an amulet of white and yellow gold with engraved rock crystal panes, mother of pearl inlays, vitreous enamel, brown diamonds, and a sapphire.
Tahiti pearl necklace with a white gold clasp in the form of a dragon head with enameled eyes and teeth.
Necklace composed of Archimedian solids of yellow and partially oxidized white gold.
Necklace of 22K yellow gold inspired by the traditional Indian jewellery.
Yellow gold necklace inspired by the traditional Malagasy braiding techniques.